Gotye
Track: Eyes Wide Open
1 Track, Single (2010, Independent)
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Related: Gotye.
“So this is the end of the story/Everything we had, everything we did/Is buried in dust,” begins the first original solo offering from Gotye since 2006’s Like Drawing Blood LP. Following its runaway success, songwriter Wally de Backer prepared a remix album, Mixed Blood, then shelved Gotye in favour of consistent writing and touring with his other band, The Basics. Ahead of a slot on the 2011 Laneway Festival and an impending third LP comes ‘Eyes Wide Open’, a compact, three-minute tune available for free download from his website.
The most striking aspect of the song is its sparse instrumentation, especially when compared to his intricately-layered past works. ‘Eyes Wide Open’ is built around a three-note bass progression, de Backer’s characteristically muscular drumming, and that unmistakable voice. Additional credits for “whale cello” (Gareth Skinner), “poker bass” (Lucas Taranto) and “wasteland pedal steel guitar” (Michael Hubbard) are noted, but their input is more atmospheric than integral.
Also present is de Backer’s interaction with the Winton Musical Fence, an apparatus in central Queensland described by the singer as “five massive metal strings attached to fence posts, and connected to a wooden resonant chamber”. Samples from the musical fence form the basis of the song’s bassline - though you probably wouldn’t pick it without reading his bio.
Though its chorus declares, “We walk the plank with our eyes wide open”, the rest of de Backer’s lyrics are more ambiguous. Doubt, fear and sadness are all present, yet the climactic moment hints at a more grandiose overall message: “To stop consuming's to stop being human, and why'd I make a change if you won't?/We're all in the same boat, staying afloat for the moment." The overall effect is compelling.
by Andrew McMillen

Reminds me of the first time I heard SilverChair's Strait Lines.
it's 1980s Fleetwood Mac production to one of those techno type pop songs Nova play on a friday night to get you geed up for a night at crown casino. It will be a MASSIVE hit, mark my words.
I'm not saying that in a mean way by the way, much as it would appear so.
i don't know anyone would grow up to aspire to make this kind of music without the view just to sell thousands and thousands of records.
I'd happily do a song like that, get some sweet sync deals and pay for my serious art offa them. Unfortunately I'm unable to do it.
Love the man to bits but this doesn't do it for me.
What GA said. HUGE.
this track doesn't sound like a cash grab single to me fuzz ... definitely it sounds like Wal's having a crack at nailing succinct, effective pop songwriting but I don't think that's quite the same thing. I don't think this is his best work, but it doesn't scream ''sell out'' like many first singles from second albums do for me.
Even if he did want to sell out, he seems to be doing everything on his own terms, which I commend a fair bit.
“So this is the end of the story/Everything we had, everything we did/Is buried in doubt,”
I'd say that ''doubt'' is dust. Just saying.
Sounds like Birds of Tokyo to me.
Bewilderingly, disappointingly naff.
You may be right, but, to me, it sounds like Temper Trap-esque Nova rotation material meant to reverberate round Festy Hall.
This is like the Australian version of Coldplay. Or Temper Trap, with whom they are also interchangeable. Lyrical vapidity signifying nothing. It also sounds horrible. I think it was Marcus who compared it to Icehouse meets John Farnham? Nailed it!
Sounds like boys of summer performed by panic at the disco
Was he born in belgium?
Turns out I misheard the lyrics. They've been amended. Thank you King_Rat
Im scared to listen to it because I fear its going to get played to death and very annoying quickly. Am I right?
NiteShok said 11 minutes ago:
Turns out I misheard the lyrics. They've been amended. Thank you King_Rat
Yeah sorry, I've been listening to too much studio tracking of vocals and other shit in the last week that I have unfortunately become fixated on the voice too much. Even if it's talking bullllllllllllshit.
Totally thought of Icehouse when I heard it. Bit of a darker turn for Wally. Not bad… but not a repeat listen.
Glad I'm not the only one who's ambivalent, to say the least. It's obviously a very good pop song, and it's sad that the fact that I really dislike it will only prove to those round here who think I hate pop that, well, I hate pop.
Which I don't. But I bounce really hard off this song. Sorry Wally, I'm sure that won't stop it becoming a huge hit!
Skip the Farnham, this could totally pass for Icehouse
in, er, a nice bathhouse
I reckon this single is just the ''hey I'm back!'' water-testing throwaway..
We'll see the real single shortly I'd say.
Argh, this is terrible and I have no doubt that JJJ will love this...
i keep reading that this is his first thing ''in 5 years'', but mixed blood was out only 3 years ago
I think it's valid to say ''5 years''. A remix album isn't really a main release in the back catalogue... it's more auxiliary than anything. it's not really technically ''Gotye music'' either.. although Wal did play a little on one of the tracks..