Dave Graney: DIY Indie
There’s never been a better time to be indie, but there are a few hard-and-fast rules you need to know first, writes DAVE GRANEY. Hip indie photography available at STREETPARTY.tv.
It’s an indie, indie, indie, indie, indie world. Well from my couch it seems to be. Everything’s gone indie. The banks’ TV adverts are all indie. Croaky faux Americana folk music accompanies images of casually dressed young people bending and folding computers. McDonald’s runs an indie line, to compliment its historically untrue heritage line where old people remember the days when they met and ate apple pies under the “Golden Arches”. The time is ripe for an indie Hitler I think. people go for anything as long as it seems right.
The aesthetic “indie” was invented by the Manson family in Death Valley in 1967 or ’68. Charlie, Bobbie, Tex. It was a slow, organic process. Strange that such a do-it-yourself kind of aesthetic was born right next to the Hollywood dream factory which was still, but only just, under the control of the studio bosses. Manson and Hopper kicked the doors down and made the world safe for George Lucas, Steven Spielberg and the Hollywood blockbusting teen pics we have a choice of today. Dialectical, I presume. They were butting up against their opposites. All the slick hustling of Hollywood led to the Manson Family getting their own precious thing together. They always said they got messages from the Beatles who had gone all indie themselves and locked themselves away from the filthy general public and issued records at a steady rate from their studios in London. Must have seemed very exotic and otherworldly to the family as they sped around the sand dunes on their buggies, practicing manoeuvres for the coming race war. They must have also looked to the Monkees who were a nearby, dream factory merging of the Beatles and Hollywood. The times were so kinetic. The Monkee model actors had ideas of their own and connections to the real world of murky underground ambitions. This gave the show a bit of a low spark. A weak charge. Charlie even auditioned to be a member of the Monkees. Still, their band in a house as a show style had a kooky correlation to the Family down on the ranch. The Monkees also had a lot in common with the plays of Eugene Ionesco. People were in a room, permanently, there was no time, and occasionally other people walked in. The rules were set and they had to remember them over and over and act accordingly. Very indie.
“To make an indie song or sound, make sure the drummer does not play the snare or the cymbals. Hi-hats are OK. In stiff double time.”
The basic thing about indie is to be pissweak. I don’t mean this in a judgmental way. I mean in a qualitative, forceful way. I mean conviction. It’s a desultory boot of a tin can along the ground with your hands in your pockets, thinking of what you didn’t have for breakfast. This is as opposed to putting on some boots, warming up with a few laps and giving a football a decent roost towards the goals. To be lacking in energy, or any sense of power, is very indie. Bloodless, no show of emotion. To never approach anything from a head-on direction. Shrugging everything off. It’s a bit like the ideal state of women in upper-class Victorian England. They had to be sickly and weak. It can be scary, in a creepy kind of way. Rarely is though. Strangely contrasting with this detachment is the insistence on trusting intuition and the truth of first reactions. Almost Bruce Lee-like in attitude: “Don’t think! Feel!” Rehearsing is bad as it leads to phoniness. Oh, and play only to your friends. Outsiders are to be mistrusted. Waco! The best part of the indie state of mind and body is the constant spinning of the wheels; going over and over the same constructions and arrangements. Such a thin pool of ideas allows anybody to come in and get on the bike straight away. Such a passing parade occasionally lets new, weird blood in and then mistakes are made. These mistakes are the great leaps forward of indie-dom. Well, pissweak leaps up in the air with an accompanying thin and weak, “Woo hoo!” After that brief break for freedom, it’s all back down, ankle deep in the puddle again.
To make an indie song or sound, make sure the drummer does not play the snare or the cymbals. Hi-hats are OK. In stiff double time. Indeed, the drummer should be so stiff as to be in constant danger of rocking right off the stool, such is the perpetual petrified motion that is engaged. The bass player should have a large amp, an odd-looking and weak-sounding guitar and an antique white, curled guitar lead. They must always play the third note in the chord, this gives a sad, pissweak melodic quality to the playing and keeps it away from the drums. The guitar is thin and trebly and one foot is pointed in a funny way to show the inner-anguish inside an otherwise static performer. Lyrics are so personal as to be unknowable by anyone but very close family. They are delivered mostly off mic and very uncompressed. Real!
I guess the indie field suffers because it has lost its otherness. The big blocking-out-the-sun style mainstream has been obliterated by technology and the indie-led rush to the margins. Indie is adrift. On its own. Its own pissweak turf. There is nothing in the middle. Just a thousand mainstreams. And they are all flying apart too.
Personally, I like some indie things. Ginger beer, liquorice and ... er, well, the fact that you never hear AC/DC or bluezak at any of the shows. It’s a scene with quite a vast and wild inner-life. It actually contains some roots, strangely enough. Trace elements of real heroic stuff. Yes, I much prefer that to the parts of the scene that profess roots but use that as an excuse to wail so emotionally off the dial that they float off the earth itself. Too unreal for me, all that pain. Jeff Buckley, goddamn your fruity pipes!
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Dave Graney started to write songs in the post-punk period when ideology and self expression and mythology were all screwed up and meeting head on. He currently plies his trade in the Lurid Yellow Mist and recently released a solo album, Knock Yourself Out.
Excellent article.
Poor sexual Dave Graney :(
Haha. Fruity pipes.
REAL.
I don't expect I could love this man any more if I tried.
I could run a car on this.
I'd say indie is seven parts not to one part maybe.
maybe he will do a sarcastic diatribe on emo or grunge next to show how hilarious and cutting edge he really is.
Hahaha. I always fucking hated Dave Graney, part of me still does. But the grizzlier i get, the more i want to pack up shop and become his devoted love slave.
so angelic layer is actually dave graney
na, he prolly just read my last weeks ramble.
why does dave graneys self hatred fuel another piss weak career ,
take the red carpet out of town
Self hatred? The man is piss funny, not piss weak.
(single tear rolls down cheek)
I saw Dave out at a show on Saturday night. He looked well regal. His radio show on 3RRR is brilliant. Is it time for a Dave renaissance? Let's get him on TV. I mean, - fuck Rove. I want the Dave Graney show.
agreed i love the radio show!
This is a sentiment I wholeheartedly agree with.
It's not ''Dave's'' radio show, I'm pretty sure he's billed as a guest, innit.
The idea of having a conversation with this man gives me diarrhea. Fewer people have said less with so many words.
The idea of having a diarrhea with this man gives me conversation. Fewer people have said many with so less words!
You just made me shit my pants
I never really understood indie, I still don't. So indie is like mainstream yeah?
Yeah, that's right.
Damn.
yeah fuck rove.
yeah
Dylan the indie fake, the perpetual flake.